-
Peter BlakeVenice - An Altercation, 2009silkscreen printed on 400gsm Somerset paper40.65 x 30.5cmsigned -
Peter BlakeVenice - Camping 1, 2009silkscreen printed on 400gsm Somerset paper40.65 x 30.5cmsigned
-
Peter BlakeVenice - Camping 2, 2009silkscreen printed on 400gsm Somerset paper40.65 x 30.5cmsigned
-
Peter BlakeVenice - Christ's Entry into Venice, 2009silkscreen printed on 400gsm Somerset paper40.65 x 30.5cmsigned
-
Peter BlakeVenice - Collision, 2009silkscreen printed on 400gsm Somerset paper40.65 x 30.5cmsigned
-
Peter BlakeVenice - Exotic Beasts, 2009silkscreen printed on 400gsm Somerset paper40.65 x 30.5cmsigned
-
Peter BlakeVenice - Fishing, 2009silkscreen printed on 400gsm Somerset paper40.65 x 30.5cmsigned
-
Peter BlakeVenice - Iceberg 2, 2009silkscreen printed on 400gsm Somerset paper40.65 x 30.5cmsigned
-
Brian RiceSpots, 2008mixed media with sand on card15 x 21cmsigned
-
John Croft CBESeptember 2007, 2007oil on canvas60 x 70cmsigned and dated
-
Sandra Blow RARed Melange, 2006screenprint with collage94 x 91.5 cm
-
Damien HirstBromphenol Blue, 2005aquatint etching on Hahnemühle paper
edition 16 of 65 2005
signed by the artist on the front and numbered on the reverse76cm x 91cm -
Margaret Lovell D.LITT, FRBS, RWAMarine Bird, 2005bronze12 x 16cmedition 6 of 6
-
Margaret Lovell D.LITT, FRBS, RWANerfertine III, 2005bronze22 x 23 x 9cmsigned
-
John Croft CBEOctober 2005, 2005oil on canvas40 x 58cmsigned and dated
-
George DannattWhitehill to Fleet, 2005oil and graphite on board107.5 x 38cm
-
Damien HirstXylene Cyanol Dye Solution, 2005aquatint etching on Hahnemühle paper
edition 16 of 65
Signed and numbered by the artist96.5cm x 73cm -
Damien HirstCiclopirox Olamine, 2004aquatint etching on Hahnemühle paper
edition 103 of 145
signed by the artist on the front and numbered on the reverse114.3 × 111.8 cm
45 × 44 in -
Damien HirstCinchondine, 2004aquatint etching on Hahnemühle paper
edition 103 of 145
signed by the artist on the front and numbered on the reverse114.3 × 111.8 cm
45 × 44 in -
Damien HirstCineole, 2004aquatint etching on Hahnemühle paper
edition 103 of 145
signed by the artist on the front and numbered on the reverse114.3 × 111.8 cm
45 × 44 in -
Breon O'CaseyFloating Shape, 2004linocut, edition of 1042 x 42cm
-
Sandra Blow RATransparency, 2004silkscreen
edition of 13071.5 x 71cm -
Sandra Blow RAScreen Kiss, 2003screenprint
Artist's Proof, edition of 75
signed76 x 73cm -
Howard Hodgkin RASkies the Limit, 2003screenprint on wove paper, edition of 72
signed81.9 x 92.7cm
Public Collections: The Government Art Collection -
John Croft CBEJune 2002, 2002oil on canvas60 x 60cmsigned and dated
-
Sir Terry Frost RAVertical Lines, 2002oil on canvas collage
signed29.5 x 29.5cm -
Margaret Lovell D.LITT, FRBS, RWAVertical Wave, 2001bronzeH. 29cm
-
Sandra Blow RAMillennium, 2000screenprint
edition of 10063.8 x 51.2cmsigned -
Tom Phillips RAMoment Musicale, 2000etching, edition of 100
signed51 x 65cm -
John Hoyland RAOver Blue, 2000screenprint and woodcut60 x 50cmsigned
-
David Mach RAUntitled, 2000screenprint, edition of 100
signed51 x 65cm -
Patrick CaulfieldVase, 2000screenprint on wove paper
edition of 10063.8 x 51.2cmsigned -
Breon O'CaseyLandscape, 1999linocut
edition of 1547 x 61cm -
George DannattUntitled, 1999
-
Eduardo PaolozziUntitled, 1999silkscreen on wove62 x 51cmsigned
-
George DannattWhite Discus, 1998oil on board8.6 x 27.8cm
-
John Croft CBEJanuary 1997, 1997oil on canvas40.5 x 51cmsigned and dated
-
John Croft CBEMarch 1997, 1997oil on canvas40.5 x 51cmsigned and dated
-
Breon O'CaseyMountain, 1997etching, editon of 10
signed38 x 57cm -
Breon O'CaseyTrio, 1997etching with aquatint
edition of 25
signed47 x 63cm -
David Hockney RASmall Dogs, 1995aquatint, edition of 80
signed40 x 55cm -
George DannattPortland - Abandoned Workings - Night , 1994gouache on card18.2 x 21.8cm
-
Paula Rego RANever Never Land, 1992etching and aquatint29.8 x 45cm (plate)
50.1 x 60.1cm (sheet)signed -
Romi BehrensPlaza Hotel, Cadaqués, 1992oil on board38 x 41cm
-
George DannattRingmoor Camp, 1991oil on hardboard18.2 x 21.8cm
-
Howard Hodgkin RAStreet Palm, 1990-91intaglio print with carborundum, with hand colouring in egg tempera
Signed149 × 120cm -
Patrick CaulfieldArita Flask, 1990screenprint on paper107.2 x 81.1cmsigned
-
Patrick CaulfieldArita Flask in Black, 1990screenprint on paper107.2 x 81.1cmsigned
-
Victor PasmoreIdea for Davide, 1990original painting mounted on wood with a painted dot
signed43 x 52.5cm -
Michael Rothenstein RAGiant Cockerel , 1987woodcut print50.5 x 85cm
-
David Hockney RALandscape with a Plant, 1986original print on 100% rag Arches 120g laid paper
edition of 5027.9 x 43.2cmsigned -
David Hockney RAMan Reading Stendahl, 1986original print on 100% rag Arches 120g laid paper35.6 x 21.6cmsigned
-
Roy LichtensteinWhaam, 1986offset lithograph (diptych) on Huntsman Superwhite cartridge paper
published by Tate Gallery
edition of 3000 unsigned64 x 74.5cm (each)unsigned -
Patrick CaulfieldFemale Costume Design for “Party Games”, 1984acrylic on paper29.5 x 42cmsigned
-
Patrick CaulfieldMale Costume Design for “Party Games”, 1984acrylic on paper29.5 x 41.8cmsigned
-
Tom WesselmannLulu, 1982lithograph on japan paper
ediiton of 250
Published by Metropolitan OPera and Circle Gallery, New York56.3 x 76.6cm (paper)
42.6 x 63.8cm (plate)signed -
George DannattPot au Feu, 1982acrylic on board28.7 x 48.4cm
-
Michael Rothenstein RARed Berries , 1982woodcut46 x 70.5
-
George DannattCollage in Brown, Blue & Red, 1980collage on paper39 x 49cm
-
Kenneth Lawson (1920-2008)Provencal Landscape with Cypres, 1980oil on panel17 x 22cm
-
Henry MooreReclining Figure, 1978etching19 x 25cm (plate)
24.6 x 35.6cm (sheet)unsigned -
Henry MooreReclining Nude, 1977-78etching and wash14.5 x 20.1cm (plate) 23 x 30.2cm (paper)rare trial proofunsigned
-
Henry MooreReclining Nude, 1977-78etching14.5 x 20.1cm (plate) 23 x 30.2cm (paper)rare trial proofunsigned
-
George DannattStudy for Sandbar, 1976mixed media on paper16 x 20.5cm
-
Margaret Lovell D.LITT, FRBS, RWAWinged Spiral Tower, 1976bronze43 x 9cmedition AC 2
-
Marc Chagall (1887 - 1985)Ce lui qui dit les choses sans rien dire (Plate 22), 1975 - 76etching & aquatint on Velin Arches paper
proof of an edition of 225, with the publishers watermark ME47 x 36cmunsigned -
Julian TrevelyanAigues Mortes , 1975etching, edition of 57
signed35.5 x 47.9cm -
John PiperSmailholm Tower, 1975gouache on paper39.4 x 58.4cmsigned
-
William ScottUntitled, from a Poem for Alexander, 1975screenprint on paper
edition 58/727.6 x 38.2cm (paper)
48 x 22.2cm (image)Signed -
Margaret Lovell D.LITT, FRBS, RWAPetal III, 1974bronzeH. 33cmedition 5 of 6
-
Julian TrevelyanSilo, 1974etching, edition 1 of 25
signed25.5 x 35.5cm (plate)
40 x 59cm (paper) -
Henry MooreSeated Figure and Ideas for Sculpture, 1973-4lithograph26.7 x 24.4cmsigned
-
Howard Hodgkin RABed, 1973aquatint from three plates
edition of 50
signed20.6 x 31cm -
Howard Hodgkin RABreakfast, 1973aquatint from three plates
edition of 50
signed20.6 x 31cm -
Patrick HeronJanuary 1973, Plate 18, 1973screenprint, Artist's Proof68 x 92.3cmsigned and dated
-
Henry MooreStonehenge III, Against the Sky, 1973lithogragh, edition: Artist's Proof
signed
Public Collections: Henry Moore Foundation; Tate Galleries; Met Museum, New YorkImage: 32 x 45.4cm
Paper: 45.8 x 58cm -
Henry MooreStonehenge IX, Head of a Giant, 1973lithograph41.2 x 29cm (plate) 57.7 x 46cm (paper)edition 23 of 60signed
-
Henry MooreStonehenge V, Hacked Stone, 1973lithograph29.3 x 45.5cm (plate) 57.7 x 46cm (paper)edition 23 of 60signed
-
Henry MooreStonehenge V, Hacked Stone, 1973lithograph29.3 x 45.5cm (plate) 57.7 x 46cm (paper)edition 23 of 60signed
-
Henry MooreStonehenge V, Hacked Stone, 1973lithograph, edition of 25
signed
Public Collections: The Met Museum, New York; Tate Galleries; Henry Moore Foundation29.3 x 45.5cm (plate) 57.7 x 46cm (paper)edition 23 of 60
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